The Royals: Masters of War #1
Rob Williams, Simon Coleby,
I’ve been looking forward to this new Vertigo series from Rob Williams and Simon Coleby for a wee while now – I chatted to Rob a few weeks ago about it (see here) and that just whetted my appetite. First issue hit racks with this week’s new releases and obviously it went straight onto my reading pile.
As you may know if you read the interview with Rob, this is an alternate history tale, mixing superpowered beings with the real events of World War Two. Of course superbeings in WW2 isn’t new – even during the war the Golden Age comics frequently had their characters like Captain America, Sub-Mariner, Superman etc fighting the Axis, more recently Ian Tregillis penned his fascinating Milkweed Triptych, a trio of novels involving an alternate WW2 where British spies fight against a secret Nazi Übermensch, scientifically created beings with powers (much recommended). What Rob and Simon bring to the mix is the eponymous royalty – in this reality there are superbeings, but they are all aristocrats, blue bloods, with the higher ranking, more pure breed being more powerful (so a prince or king for instance, is enormously powerful).
This opening issue takes place in 1940, as the Blitz is devastating British cities, the badly outnumbered RAF, ‘the few’, struggling to hold the might of the Luftwaffe at bay as they try to destroy Britain’s defences from the air as a prelude to the invasion everyone is sure will soon come. Could a few of the Royals use their powers to stop the Nazis in their tracks? Yes. But it isn’t that simple – superweapons rarely are, are they? Whether they take the form of splitting the atom or a superpowered being, there are always consequences, and in the case of the Royals there is an international treaty between ruling houses not to become involved on the battlefields of their nations. Because if one nation’s royals use their powers in a fight, others will join in and an already bloody situation will escalate rapidly to even more dangerous dimensions. Not hard to consider parallels with WMDs like nuclear weapons – used to end one years-long conflict that took vast numbers of lives and caused global destruction, but ushered in an era of ever escalating, finger on the trigger of Armageddon for decades, the promise of an even worse war born from that new power, which we narrowly avoided.
And some royals genuinely don’t care – the eldest son, Arthur, Prince of Wales, is a dissolute prig, happy to not be allowed to become involved (despite his huge powers), content to live a life of drink, women, comfort and who cares if the masses are being burned to death or buried beneath rubble in their own homes as the bombs fall. A prince who wouldn’t have been out of place in Blackadder III, more concerned for the luxuries his station confers than any sense of national duty and responsibility. But some of the young royals take their duty to their country more seriously:
“The East End’s burning, apparently. Although no-one will tell me the full extent of the damage. And there’s always so many more of their planes than the RAF boy… People are dying, Rose. Lots of people are dying, and we can’t do anything… We’re powerless…”
The troubled young Prince Henry borrows an idea from his royal namesake, Henry V, and changes clothes to go incognito among his people. He and his beloved Rose go into the Eest End, he carrying her as he flies over wartime London, a charming scene of two young people drifting through the air, Rose in his arms, “like Peter Pan” she remarks. But the fairy tale allusions end brutally in grim, blood reality that confronts them as they land. Bombed out ruins that were once homes, fire raging, bodies of the dead burning in the street, exhausted ARP wardens, screaming children… People in agony and despair. Their people. His people. ..
It’s all handled across a couple of pages, a montage of the horrors of the Blitz, with only two speech balloons throughout; most of it comes through from Coleby’s powerful visions of a burning, devastating London (all the more powerful, because we know this scenario isn’t fantasy, it’s drawn from the real history), until the young royals are left in tears at the sheer suffering they witness.
And enough is enough; Prince Harry’s rage and his desire to do his duty over-ride the royal pact not to become involved, and when the next flight of Luftwaffe bombers appears overhead and the RAF rise tiredly to meet them once more, he is at their head, flying right into them, a wrathful superbeing smashing through planes in righteous fury, blasting them from the skies. The papers rejoice at the royal family joining the war effort finally, but the king realises his hot-headed young son may, albeit for the finest reasons, have condemned the world to a much darker, bloodier, more costly battle…
It’s a gripping first issue, introducing the concept of this alternate 1940s and the idea of superpowered royals and the fragile accord that has kept their powers off the international board for years. Coleby’s art is terrific, with a nice eye for period details (those of us who grew up on Commando Books, Warlord, Victor, Battle etc always appreciate an artist who takes the trouble to get details like uniforms or aircraft from the period correct) and moody – the change in visual tone from the Palace to the hellish inferno of the East End is a kick to the senses (as it should be), while the moral dilemma of the patriotic young prince grabs your attention. I mean what would you do if you had those powers and knew you could defend your people from awful harm? But if you intervene then people with other powers in enemy nations will then join the fray, up the stakes…
Damned if you do, damned if you don’t, and we all know what paves the road to hell… Each issue will take place in a different year and pivotal moment for the war, and I’m looking forward to seeing where this goes, not least because this first issue opened with a glimpse of 1945 before flashing back to 1940’s beleaguered Britain. There’s often something very compelling about an alt-history story, and this is a cracker. Plus we get a superhero story, a good war tale and a touch of alt-history science fiction all in one tale. Bargain!